By Kwame Dawes

It seems clear enough that Quincy Troupe wants his poem, “Picking a Dandelion,” to achieve the coveted status of “timelessness” while being rooted in a historical moment. Here are Joe and Jill, two people with commonly available American names, enacting an ordinary gesture of affection. Yet this instructive love is heightened by the context: love, in other words, in a time of hate (borrowing from Gabriel Garcia Marquez) is the theme and the optimism lacing this poem.

Pickng a Dandelion

walking along together

in the nation’s capital

Joe stopped, stooped, picked a flower–

a dandelion to be exact–

then he handed it to Jill–

who smiled in her white summer,

dress full of pretty flowers,

and someone snapped a picture

of this sweet, simple gesture,

it revealed something deeper,

profound, beautiful about

their love for each other here,

that taught all of us watching,

how to reach across time, space,

with a tender touch, a kiss

for one another here, now

in this moment of hatred

before time on earth runs out

Poem copyright 2022 by Quincy Troupe, “Picking a Dandelion” from “Duende Poems,” 1996-Now (Seven Stories Press, 2022.) American Life in Poetry is made possible by the Poetry Foundation and the Department of English at the University of Nebraska-Lincoln. We do not accept unsolicited submissions.